RAY STEVENS SONG

OK, I think I put a plug in here or there, but this will serve as my "official" SHAMELESS PLUG!!


Here are the links to two MySpace pages where I have songs posted:

POP MUSIC

CHRISTIAN MUSIC


If insanity overtakes you and you'd like a CD of either (8-10 songs), we offer them essentially for free. We recorded one session as "The Bleechers" but we were known as "Nothing But Sky" for most of our time dragging our gear through the NC music scene.

Thanks!

LINK TO THE SONG BABY DOE

HIP-HOP ARTIST CREATES THE OBAMA DANCE FOR OBAMA SUPPORTERS

Bob Brown

Jacksonville, FL (BlackNews.com) - Hip-Hop Artist Bob Brown is the first to officially create a dance for a presidential candidate. Brown combines YouTube with media exposure to promote THE OBAMA DANCE and endorse Barack Obama.

"I created a dance that anyone can do" says Bob Brown, inventor of THE OBAMA DANCE "whether you are old, young, male, female, no matter what your background is, you will have fun doing this dance."

Bob Brown is a powerful, entertaining interview. He will tell your audience:

* The number 1 reason the hip-hop community supports Obama.
* The most common misconception about YouTube.
* The BEST way to create excitement about a new "single" release.
* How to learn THE OBAMA DANCE in two minutes.
* The secret reason African Americans & other minorities support Obama.
* The two Biggest mistakes a song writer can make when titling a song.
* What McCain has in common with Bob Brown's family history?

For more information about THE OBAMA DANCE go to www.THEOBAMADANCE.com

Back  In Time Link

Jerry Reed will continue to provide countless hours of entertainment for me and millions of americans through his films and song.   I have always enjoyed his humor and one of a kind guitar picking.  Thank you Jerry for sharing your talent with the world and I hope everyone will give you the recognition you deserve for the many hours you put into your craft of entertaining people.  I wish I could have known you personally.   R I P Jerry   (sounds like one of his song titles) 

Here is what wikipedia had about him...........

Jerry Reed Hubbard (March 20, 1937 – August 31, 2008), known professionally as Jerry Reed, was an American country music singer, country guitarist, session musician, songwriter, and actor who appeared in over a dozen films. As a singer, he may be best known for "Amos Moses", and "When You're Hot, You're Hot", for which he received the Grammy Award for Best Male Country Vocal Performance in 1972 and "East Bound and Down", the theme song to the first Smokey and the Bandit movie in which he portrayed the "Snowman", Cledus Snow.

  Biography

 Early life

Reed was born in Atlanta, Georgia, the second child of Robert and Cynthia Hubbard. Reed's grandparents lived in Rockmart, Ga. and he would visit them from there from time to time. He was quoted as a small child, while running around strumming his guitar, "I am gonna be a star. I'm gonna go to Nashville and be a star." Reed's parents separated four months after his birth, and he and his sister spent seven years in foster homes or orphanages. Reed was reunited with his mother and stepfather in 1944. Music and impromptu performances helped ease the stressful times the new family was under.

By high school, (O'Keefe High School, Atlanta, Georgia)[citation needed] Reed was already writing and singing music, having picked up the guitar as a child. At age 18, he was signed by publisher and record producer Bill Lowery to cut his first record, "If the Good Lord's Willing and the Creeks Don't Rise." At Capitol Records, he recorded both country and rockabilly singles to little notice, until label mate Gene Vincent covered his "Crazy Legs" in 1958. By 1958, Lowery signed Reed to his National Recording Corporation, and he recorded for NRC as both artist and as a member of the staff band, which included other NRC artists Joe South and Ray Stevens.

Reed married Priscilla "Prissy" Mitchell in 1959. They have two daughters, Charlotte Elaine "Lottie" Reed Stewart, and Seidina Ann Reed Hinesley, born April 2, 1960.

 Career

After a two-year stint in the military, Reed moved to Nashville in 1961 to continue his songwriting career, which had continued to gather steam while he was in the armed forces, thanks to Brenda Lee's 1960 cover of his "That's All You Got to Do." He also became a popular session and tour guitarist. In 1962, he scored some success with the singles "Goodnight Irene" and "Hully Gully Guitar," which found their way to Chet Atkins, who produced Reed's 1965 "If I Don't Live Up to It."

 "Guitar Man"

In 1967, Reed notched his first official country chart hit with "Guitar Man," which Elvis Presley soon covered. Presley had come to Nashville to record in 1967, and one of the songs he was working on was "Guitar Man," which Reed had written and recorded. "I was out on the Cumberland River fishing, and I got a call from Felton Jarvis (then Presley's producer). He said, 'Elvis is down here. We've been trying to cut 'Guitar Man' all day long. He wants it to sound like it sounded on your album.' I finally told him, 'Well, if you want it to sound like that, you're going have to get me in there to play guitar, because these guys (you're using in the studio) are straight pickers. I pick with my fingers and tune that guitar up all weird kind of ways.'"[1]

Jarvis hired Reed to play on the session. "I hit that intro, and [Elvis's] face lit up and here we went. Then after he got through that, he cut [my] "U.S. Male" at the same session. I was toppin' cotton, son." Reed also played the guitar for Elvis Presley's "Too Much Monkey Business" (1968), recorded in the same session. After Presley recorded another of Reed's songs, "U.S. Male," the songwriter recorded an Elvis tribute, "Tupelo Mississippi Flash," which proved to be his first Top 20 hit. Reed's guitar style can also be heard on other Elvis tunes including "Big Boss Man".

Elvis also recorded two other Reed tunes; "A Thing Called Love" in 1971 and "Talk About The Good Times" in 1973 for a total of four.

 1970s

After releasing the 1970 crossover hit "Amos Moses," a hybrid of rock, country, and Cajun styles, which reached #8 on the U.S. Pop charts, Reed teamed with Atkins for the duet LP Me & Jerry. During the 1970 television season, he was a regular on the Glen Campbell Goodtime Hour, and in 1971 he issued his biggest hit, the chart-topper "When You're Hot, You're Hot," which was also the title track of his first solo album and reached #9 on the Pop charts.

A second collaboration with Atkins, Me & Chet, followed in 1972, as did a series of Top 40 singles, which alternated between frenetic, straightforward country offerings and more pop-flavored, countrypolitan material. A year later, he scored his second number one single with "Lord, Mr. Ford" (written by Dick Feller), from the album of the same name.

Atkins, who frequently produced Reed's music, remarked that he had to encourage Reed to put instrumental numbers on his own albums, as Reed always considered himself more of a songwriter than a player. Atkins, however, thought Reed was a better fingerstyle player than he himself was; Reed, according to Atkins, helped him work out the fingerpicking for one of Atkins' biggest hits, "Yakety Axe."

Reed was featured in animated form in a December 9, 1972 episode of Hanna-Barbera's The New Scooby-Doo Movies, "The Phantom of the Country Music Hall" (prod. #61-10). He sang and played the song "Pretty Mary Sunlite." That song is played throughout the episode as Scooby and the gang search for Reed's missing guitar.

In the mid-1970s, Reed's recording career began to take a back seat to his acting aspirations. In 1974, he co-starred with his close friend Burt Reynolds in the film W.W. and the Dixie Dancekings. While he continued to record throughout the decade, his greatest visibility was as a motion picture star, almost always in tandem with headliner Reynolds; after 1976's Gator, Reed appeared in 1978's High Ballin and 1979's Hot Stuff. He also co-starred in all three of the Smokey and the Bandit films; the first, which premiered in 1977, landed Reed a Number 2 hit with the soundtrack's "East Bound and Down."

Reed also took a stab at hosting a TV variety show, filming two episodes of The Jerry Reed Show in 1976.[citation needed] The show featured music performances and interview segments, but did not contain the comedy skits that usually were a part of variety shows of the '70s. Guests included Tammy Wynette, Ray Stevens, and Burt Reynolds.[citation needed]

In 1978, he appeared as himself in the television show Alice.

In 1979, he released a record comprised of both vocal and instrumental selections titled, appropriately enough, Half & Half. It was followed one year later by Jerry Reed Sings Jim Croce, a tribute to the late singer/songwriter. He starred in a TV movie in that year entitled The Concrete Cowboys.

 1980s and 1990s

In 1982, Reed's career as a singles artist was revitalized by the chart-topping hit "She Got the Goldmine (I Got the Shaft)," followed by "The Bird," which peaked at Number 2. His last chart hit, "I'm a Slave," appeared in 1983. That same year, he co-starred with Robin Williams and Walter Matthau in the Michael Ritchie comedy The Survivors. Reed guest-starred in the October 13, 1983 episode of Mama's Family, "The Return of Leonard Oates" (Episode 13, Season 2), as Naomi Harper's ex-husband Leonard Oates.

After an unsuccessful 1986 LP, Lookin' at You, Reed focused on touring until 1992, when he and Atkins reunited for the album Sneakin' Around before he again returned to the road.

Reed had a role as a Commander/Huey Pilot for Danny Glover's character in the 1988 movie Bat*21 starring Gene Hackman. He also acted as executive producer on this film.[citation needed]

Reed starred in the 1998 Adam Sandler film, The Waterboy, as Red Beaulieu, the movie's chief antagonist and the head coach for the University of Louisiana Cougars football team.

He teamed up with country superstars Waylon Jennings, Mel Tillis, and Bobby Bare in the group Old Dogs. They recorded one album, in 1998, entitled Old Dogs, with songs written by Shel Silverstein. (Reed sang lead on "Young Man's Job" and "Elvis Has Left The Building," the latter possibly in deference to Elvis' helping launch his career.)

In 1998, the American rock band Primus covered the Reed song "Amos Moses" on the EP entitled Rhinoplasty.

 2000s

In October 2004, "Amos Moses" was featured on the Grand Theft Auto: San Andreas soundtrack, playing on fictional radio station K-ROSE.[citation needed] His latest recording was released in 2006, named Let's Git It On.[citation needed] In 2007, UK band Alabama 3 (Known as A3 in the USA) covered his hit "Amos Moses" on their album M.O.R.

Reed has appeared as a guest on the fishing television series Bill Dance Outdoors. In one memorable appearance, Reed caught a particularly big largemouth bass and planned to have it preserved and mounted by a taxidermist. Dance objected to this plan, and freed the fish when Jerry wasn't looking. Reed became enraged when he discovered what had happened, and chased Dance off the boat and to shore. This incident was also mentioned in one of Jeff Foxworthy's standup comedy routines. He also did guest appearences on the Bill Dance Fishing show.

Reed appeared as a character in the Red Sovine-based comedy fiction blog "Tales From the Truckstop".

In 2008, the Youtube sensation Red State Update parodied the song "When You're Hot, You're Hot" in their feud with Democratic Senator Joe Biden of Delaware with the song "Fightin' Joe Biden".

 Death

Reed died at the age of 71 in Nashville, Tennessee, on August 31, 2008, of complications from emphysema.[2] The Associated Press wire service and CNN, however, reported the date of his death as September

AMAZING GRACE ON JUST THE BLACK NOTES

From local acoustic pop band 3 feet up: We'll be having a CD release party at Irazu Coffee (3336 s. church st. burlington) on friday, october 10, 2008 from 8-10pm. not only can you get our newest (3rd) CD, but we'll perform the whole thing live! it's free to all ages and the coffee is really good there!

LINK TO "MY HERO's" HAVE ALWAYS BEEN COWBOY's

I'm not ashamed to say it: I'm a band geek.

In high school, I spent a week or so every summer traipsing around on a makeshift football field in the August heat to learn our marching band routine for the year. The funny thing is, I don't remember the heat.

I'm sure it was hot. Band camp would usually be held the last week in August, so the temperatures probably hit 90 on some of those days. But somehow, my memories of those weeks don't include sweat.

What I do remember are the people: getting to see my friends again after a long summer apart, the band director fuming when people goofed off and things didn't go well. I remember dumping a Gatorade cooler full of ice water on several people. I remember practicing field goals when we had a break on the real football field. I remember the annual band trip to Shea Stadium, where we'd celebrate the Mets getting slaughtered. (This was in the mid-1990s, at the depth of the Mets' miseries.) I remember learning how to take eight steps for every five yards ... a trick I can still do to this day. (Hey, it might come in handy if someone needs a football field measured out in a pinch.)

I just think the heat is something adults think about and kids don't pay much attention to. Maybe we griped about the temperatures that day, but those memories ... fortunately ... don't linger.